Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Sur la musique...

16:09 Friday, 19 November 2010



Trouvée sur le site de la communauté franco-finlandaise Ranska.net, une interview de Julie Delpy à la sortie de son album:




Comment avez-vous décidé de devenir musicienne?
J’ai étudié la musique enfant et ado, la clarinette, le chant, le solfège puis j’ai un peu arrêté pendant quelques années… jusqu’à ce que je m’y remette il y a 4 ans et que
j’écrive des chansons.

Quels musiciens ou artistes vous ont influencée?
Neil Young, Nick Drake, Lou Reed, Richi lee Jones, jeff Buckley…

Quels sont les principaux avantages et inconvénients quand on est musicienne en France?
Je ne sais pas quoi répondre.

Quelles images avez-vous de la Finlande, des Finlandais?
Les Finlandais, je connais Mika Kaurismäki, il est détendu, sympa, créatif et original. La Finlande, je ne connais pas. J’ai vu des photos et c’est très beau, j’aimerais y venir en été car je suis un peu frileuse.

Connaissez-vous la musique finlandaise / des artistes finlandais?
Non, mais j’aimerais connaître.

Comment pourriez-vous définir votre style musical?
Folk, rock, ballades.

Quel est, dans votre répertoire, le morceau / titre que vous préférez?
Black and Grey et My dear Friend

Faites-vous régulièrement des concerts?
Je commence demain.

Préférez-vous la scène ou le studio? Pour quelles raisons?
La scène car ça fait un peu peur, mais c’est un “adrenalin rush”

Pendant la préparation d’un titre ou d’un album, quel moment ou quelle étape préférez-vous?
Composer seule à LA sur mon canapé, avec mon chat à mes côtés.

Quels artistes écoutez-vous en ce moment?
Ben Harper, Beck, Léo Ferré.

Une question stupide… quelle est, parmi toutes les chansons que vous avez entendues, celle que vous préférez?
“Avec le temps” de Léo Ferré.

Pensez-vous qu’Internet représente une réelle menace pour les artistes (au sujet des droits d’auteurs)?
C’est un probleme à résoudre évidemment, mais en même temps Internet est un moyen de communication unique.

Quels sont vos projets pour les mois / années à venir?
Réaliser mes 2 films, jouer dans un film et préparer mon prochain disque.

Seriez-vous prête à venir dans le “Grand Nord” pour faire quelques concerts?
Oui, avec plaisir, si vous m’offrez des mouffles.



Cette semaine un petit récapitulatif des interviews qu'a données Julie Delpy dans le cadre des émissions de Thierry Ardisson - principalement "Tout le monde en parle"...




This week a little recap about the interview that Julie Delpy gave for French television, mainly with journalist Thierry Ardisson in his saturday talk, "Tout le monde en parle"...



On a déjà évoqué ici la première interview de Julie Delpy par Thierry Ardisson dans "Lunettes noires pour nuits blanches", en 1989.

The relationship between Delpy and Ardisson goes back to 1989, when the latter interviewed her for "La noche oscura", by Carlos Saura.


Trois interviews sont désormais disponibles sur Dailymotion, grâce à l'INA - thanks to the French Audiovisual Institute, three interviews are available (in French):

- 2002 : Thierry Ardisson reçoit Julie Delpy à l'occasion de la sortie de son premier film en tant que réalisatrice, Looking for Jimmy/ Julie Delpy is invited for the release of her first film as a director, Looking for Jimmy

- 2003, first and second part: Julie Delpy parle de la sortie de son premier album, Julie Delpy/ Delpy is invited for the release of her first music album

- 2005: Julie Delpy parle de la sortie de Before Sunset/ Delpy is invited for the release of Before Sunset


Parmi les meilleurs morceaux de cette dernière interview, on trouve notamment (à reprendre dans le contexte...)/ Best quotations (to replace in context, of course - traduction from me) :

- "On m'a fait chier, bordel de merde...on m'a fait chier et je me suis cassée" (à propos de son départ aux Etats-Unis...) = "They pissed me off...they pissed me off and I left"

- "Mon futur, je le veux toujours en état créatif" = "I want my future to be always creative"

- "Toutes les religions sont connes...je sens surtout ça depuis que je vis aux Etats-Unis" = "Every religion is stupid...I feel that since I live in the United States"

- "J'aime pas passer des heures à parler de trucs de nanas...j'aime pas parler de mecs pendant des heures..." = "I don't like spending hours speaking about girly things - I don't like speaking about guys for hours"



- "Le look canard je suis pas fan" (en parlant de chirurgie esthétique) = "I'm not fan of a duck face" (speaking about cosmetic surgery)



- "Je suis une femelle dominante" = "I'm an alpha female"...

Gosh how I love her!




Of music and Before Sunset...

09:08 Tuesday, 1 June 2010


Just discovered that nice article in uk.ign, dating back from 2004 when Julie Delpy was promoting her album - which is, more or less, the time when Before Sunset was released. And we all know that this movie contains three tracks of that album: "An Ocean Apart", "A Waltz for a night", and "Je t'aime tant".

Spence D., the journalist of the article, questioned Julie Delpy about the links between her music and Before Sunset:


Speaking of decisions, whose idea was it to feature Julie's music in Before Sunset? "Actually when Richard and Ethan heard my music they were like 'Okay, we've got to figure out a way to put this in the film,'" laughs Delpy. "I wouldn't impose on them to do something like that."

While Delpy, Hawke, and Linklater convened as far back as 2002 to work on the script for the film, she had actually written and recorded most of the music that would eventually end up on her European album Julie Delpy, which was released overseas in 2003. But when listening to the songs "A Waltz For A Night" and "Ocean Apart" it sounds as if they were written with the film in mind. "No I didn't," admits
Delpy when posed with the question of whether or not she wrote the songs after working with Hawke and Linklater on the Before Sunset script. "We were already
working on the sequel when this song was written, but I didn't think it was meant to be for the film," she continues. "I adapted them a little bit, though. I cut one chunk of the 'Waltz'for this film. It was obvious that I was singing a song about a one night stand that I had something in common with. But I adapted it a little bit to make it sound like [it fit the characters in the film]. It's weird, when I wrote this one night stand song there was a little bit with Before Sunrise in mind, also a little bit of me just writing a song about a one night stand, you know? When I recorded this song, which was a waltz for Jesse, basically. I mean I say the name 'Jesse' in it. I don't know why I wrote it for Jesse, I mean there was another Jesse in my life at that time, but it's just coincidence." Art imitating life imitating art, perhaps? Delpy laughs and
agrees, "Yeah, I think it's a little bit like that. I have a lot of that in my life."

As for the choice of which of Delpy's songs made the final cut of the film? It was a bit of a group choice. "We chose together the song that's in the film, you know 'The Waltz For A Night.' That was obvious it was the right song [for that scene]," explains Delpy. "Then the opening song, it came later. Richard was like 'I really love that song ["An Ocean Apart"]. I would like to figure out a way to put it in.' And then he was like 'Why not use the French song ["Je T'aime Tant"] for the ending credit?' I mean there's very little music in the film apart from what the characters listen to, which is Nina Simone and my music."

About playing guitar, recording an album (and maybe more?):


Remarkably, Delpy didn't pick up the guitar until rather recently. "I started in November 2000." But her musical leanings actually began much earlier in life. (...)

One of the reasons that Delpy hasn't had as much time to write music as she'd like is because she loves to be involved in various artistic endeavors. "I like to explore so many different things. I'll definitely do another album if somebody wants to put it out. I mean I've had offers, so it's not like [it won't happen]. But I like to take my time, you know? Because I'm doing so many different things it won't happen in the next two months, but it will definitely [happen]. I mean I've already written many more songs and I probably have enough to do another album, but I want to look for certain sounds more and stuff, you know, before I do another one?"

So what did recording an album take away from Delpy? "Well it took away the feeling that I was just writing songs for myself and for no one else," she says. "And now when I'm writing a song I'm like 'I'm writing this for myself' but I'm also thinking 'Oh, maybe it will be on an album.' It's a different feeling. It's not the same
at all. It's sometimes a little bit more intimidating, actually." She pauses for a second before continuing, "But it gave me something else, which is that I've been on tour in Europe and played with a band and understands the concept of playing music with other people. Before this I didn't know that."

Given that she's found herself playing her music in front of live audiences, doe Delpy find the act of performing music to provide more of a connection with people than the acting she commits to film? "No, it's just another medium for me to express my self, you know? I mean I love acting, but with acting you're very dependent on other people's desire. But with writing you're free and with music you're free. Even if no one ever wants to hear my music again, I can still play guitar and write songs, you know? I can play music for the rest of my life."
And finally, about cat and music:


"Okay, I actually do have a song about my cat, but it's such a hidden song. I mean it's not about my cat, it's for my cat. It's really weird. But I sing it onstage sometimes in Europe. And surprisingly it's the song that has the most success 'cause I go crazy at the end and I think I'm a cat!"


Great article!